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#6
Kuolleena haudattuja - Sosiologinen kartoitus suomalaisen nuorison salaisista musiikkiharrastuksista
(Buried Dead - A Sociological Survey on Finnish Youth's Secret Musical Activities)
C60
SOLD OUT

A
maniacs dream: you know who's the boss
?:?
kemialliset ystävät: mustaa
vikings of st loonie:-
hot patongs in paris: s/t
pettinkisessio: 1,2,4,5,7,10
arttu partinen & his partiers:-
office building: pubic hair (for s.p.)
reijo pami: a portrait of the artist as a young man; animal porn, dead jews,
humiliation of a nun and some autopsy footage -pätkiä
janne martinkauppi: smurffimusiikkia
pylon: broitskut
the sailors: dow'n the hill
B
toni laakso:-
rad conservative: over much before the fat lady
munuaissymposium 1960: kuka minä olen?
yuri: muusia ja näkkileipää, exaggerate, shout ja kill me
roope eronen: 3 rukouskulhoa ja 5 lelukukkoa
lullu: kuuma mirri
mr. onion: wind song
garfields: satisfaction ja light my fire
kukkiva poliisi: s/t
mausoleum: kaikkee voi tanssia
tero kartastenpää: in my backyard
this compilation includes 'outsider'-type home
recordings by a bunch of people over here in finland,
when they were young and/or inspired. some of these
people were actually a bit ashamed of these
recordings but lal lal lal encouraged them to bring
it all out to the public, and as a result we found
many moments of brilliance. this tape is full of
enthusiastic genius and true joy of expression.
-----------------------
"Easily the most bizarre of the records
featured here, Buried Dead is a Lal lal lal compilation that plays like the audio diary of budding
noisemakers, featuring twenty three short tracks by, among others, Maniacs Dream, Kemialliset Ystävät, Pylon,
Kukkiva Poliisi and a score of other oddly named units. The twisted experiments with voice and microphones, strangely
tuned string instruments, clattering percussion, brute noise, nonsensical lyrics and garbled electronica range
from the sublime, Roope Eronen’s trance miniature “3 rukouskulhoa & 5 lelukukkoa,” to the ridiculous, The Garfields’
demolition of “Satisfaction” and “Light My Fire,” to the disturbing, Hot Patongs in Paris’ self-titled demonic house
mutation.
A scary but fascinating ride through a funhouse of musical oddities - enter at your own risk."
- Matthew Wuethrich, All About Jazz