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#8
Toni Laakso: s/t
7"
SOLD OUT
A:
IKUINEN VAELTAJA
Osa 1
Osa 2
SÄDEHOIOITO
B:
BASSOMATIK
KISSALAULU
KAZOO VIOLENZ
RYTYHYTMAA
VAALEANPUNAINEN ELÄIN
"Toni recorded this amazing material when he was a
teenager who had just got his first drums. While Toni
bangs the drums, whistles, sings and plays the kazoo,
the batteries of the tape recorder are running out,
which gives the music a totally otherworldly
atmosphere. This might be one of the most
psychedelic records ever!!"
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"It takes some real confidence to release a challenging release like this in
anything more than a micro edition. No surprise then that the uncompromising
and always-fascinating Lal Lal Lal imprint stands behind this release which
was recorded by a Finnish ninth-grader, Toni Laakso, back in 1990 and 1991.
Equipped with various cheap musical instruments this young fellow was still
obviously trying to find his own musical expression. Even though being
rough, primitive, seriously damaged and utterly lo-fi one can’t help but be
impressed by Laakso’s vision. It’s possible that knowing his age at the time
of the recordings may add something to my appreciation, but I still think
Toni Laakso would actually stand up rather well in comparison with most of
the far out contemporary avant and noise artists making the rounds these
days."
-Mats Gustafsson / Broken Face #16
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"Best archival release of the year, must be the
one documented here by Finnish drummer Toni
Laakso from back when he was in ninth grade.
'Toni Laakso' (Lal Lal Lal LAL8 7") was
recorded in the basement, with a variety of
cheap equipment, and a technical approach that
is perhaps a bit more primitive than most. But
the results -- largely the work of maliciously
handled drums and unidentifiable electronic
gee-gaws, has as much otherness validity as
most of the American Tapes stuff I love so much.
One gets very little sense, however, what Mr.
Laakso thought of this stuff at the time. It'd
be interesting as hell to have had some notes
with him discussing his feelings about it both
now and then. This is the kind of contextualising
(as was done on that 'Thuunderboy!' CD by Tony
Conrad's infant son on Table Of The Elements)
that really makes the whole thing translatable.
As it stands, this is just mysterious. Which
is cool to, of course. It's just -- inquiring
minds NEED to know."
- Byron Coley / The Wire, January 2004
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"The Toni Laakso title is actually a 7”. Continuing in the great tradition
of confusing 7” releases from Finland: think of the first few Liimanarina
singles, or those hilarious Paska records. You haven’t lived until you’ve
heard acapella 'Ace of Spades'. The Toni Laakso 7” is the music made by an
early teen in his bedroom, armed with cassette players and loud, splashing
drums. His vocals chant mysteries known only to the blooded self. Primitive
cassette manipulation runs known music at high speed, garbling the
transmission, while Laakso pounds his kit in refreshingly non-linear
fashion. It all gels, somehow. Reynols are now not the only act capable of
providing such unique disorientation. Extra points for liner notes where
each chapter switches to a different language - the first, in Finland’s home
language, providing tantalising references: '...joiden kaikkien joukkue oli
NWOBHM ja pelaajanumero 666, sekä piirteli Iron Maidenin levyjen kansista
tuttuja Eddie-hahmoja.'"
-jon / worldsofpossibility.blogspot.com